of the most talented and inquisitive trumpeters of the day."
Bob Blumenthal /The Boston Globe
trumpet, flugelhorn, valve trombone
"Robertson's music is simultaneously a game of equals and a parody of excesses, with an irreverent use of structured freedom. It is also an obtuse refraction of Ellingtonian hues and blues that's both dramatic and compelling".Wire Magazine
"HERB" ROBERTSON is internationally renowned as an innovative
instrumentalist, composer and arranger in both traditional and avant-garde jazz
idioms and new music. In 1981, Robertson became one of the original members
of Tim Berne's ensemble and shortly after joined Mark Helias's band. It is with
these two artists that Robertson first began receiving enormous critical acclaim
on tour throughout the United States and Europe and on subsequent recordings
documenting his original brass concept incorporating extended mute technique.
From 1985 to 1992, Robertson recorded as a leader with JMT musical productions in Munich, Germany, producing five albums under his own name. On various other labels, he has recorded with many of the leading lights of the New York Downtown Scene including Bill Frisell, Wayne Horvitz, John Zorn, Bobby Previte among others (selected discography included). After his debut album, TRANSPARENCY, Herb Robertson formed his own quintet and opened the Greenwich Village Jazz Festival in 1986 to high critical acclaim. This was the first time an avant garde band opened a major jazz festival in the United States. Soon after, the quintet toured Europe.Robertson has been leading groups ever since, and now records as a leader for Leo, Splasc(h), Cadence, and the CIMP record labels. Robertson has been invited as a soloist and guest artist for many important European Jazz and New Music productions. He was invited to the important "October Meeting" in Amsterdam in 1987 and 1992, along with Cecil Taylor, Anthony Braxton, Gerry Hemingway, Steve Lacy, Paul Bley, Horace Tapscott et al, and is a frequent performer at the Berlin, Saalfelden, Willisau and Nicholsdorf music festivals. He toured with the Charlie Haden Music Liberation Orchestra at major jazz festivals in Italy, England, Scotland, Switzerland and Austria.
"Trumpeter Robertson looks at jazz the way a mad scientist looks at test tubes-very daffy with equal roots in Cage and Mingus. Louis Armstrong would be proud. " Option Magazine
Since the 1990's Robertson has recorded and performed internationally with Tim Berne , the Mark Helias Band, The Fonda / Stevens Group, the Simon Nabatov Quintet, Andy Lasterís Hydra and Barry Guyís New Orchestra along with many others. He has since performed/recorded with Anthony Davis, Bobby Previte, Elliot Sharpe, David Sanborn, The George Gruntz Concert Jazz Band, the London Jazz Composerís Orchestra, the Klaus Konig Orchestra, Rashied Ali, Ray Anderson, Bill Frisell, Paul Motian and Dewey Redman, among many others. Currently Robertson's own ensembles include The Double Infinitives, the Herb Robertson Brass Ensemble, and his improvising trios with Dominic Duval, Jay Rosen, Paul Smoker and Phil Haynes. Among Robertson's performances and recordings for theatrical and dance productions are the Merce Cunningham Dance Foundation with composer, David Behrman and the Public Theater production of "Track and Field" with composer, John Zorn.
"Robertson transforms his instrument into many things; makes it squeal, purr and chortle; plays beautiful soaring, almost classically contoured cries; and works out a Doppler shift effect, with fluffier notes approaching and receding, only to gradually skew out of equilibrium and become syncopated with ominous growls and squawks."
Milazzo / One Final Note
"An unsung hero of jazz brass playing."
Lansdowne / Sunday Telegram
"Robertson forces runs of super-human length, power and density from his horn, yet his tone is amazingly clear and crisp. He uses a range of half-valves, split tones, and mutes to introduce a breadth of tonal colorations to his performance."
composing and arranging is as ingeniously unpredictable as his sputtering, vocalizing
"Power chops, sneaky lyricism and dexterity with mutes."
"Robertson has always been a virtuoso of plunger and mutes -no anemic Bubber Miley imitations here...the full range of brass sound with startling elasticity"
As Leader :
The Legend Of The
Missing Link -Splasc(h) H827.2
Music For Long Attention Spans -Leo LR315
Knudstock 2000 -Cadence CJR 1117
Rituals -CIMP 222
Brooklyn-Berlin -CIMP 218
Sound Implosion -CIMP 110
Falling In Flat Space -Cadence CJR1065
Certified* -JMT 849-150-2
Shades of Bud Powell* -JMT 834-420-2
"X"Cerpts: Live at Willisau* -JMT 872013
The Little Trumpet* -JMT 860007
Transparency* -JMT 850002
*Reissued as "JMT Series / Winter & Winter"
Through 2005 with
Open, Coma -Screwgun
Caos Totale; Nice View -JMT Diminutive Mysteries -JMT Caos Totale, Pace Yourself
-JMT Fractured Fairy Tales -JMT Sanctified Dreams -Columbia Mutant Variations
-Soul Note The Ancestors -Soul Note
With Fonda / Stevens:
The Healing -Leo
Evolution -Leo Live From Brugge -De Werf Parallel Lines -Music & Arts The
Wish -Music & Arts
With Mark Helias:
Attack the Future
-Enja Desert Blue -Enja The Current Set -Enja Split Image -Enja
Selected recordings with various other artists:
Anthony Davis, X. The Life and Times of Malcolm X - Gramavision
Gerry Hemingway and Ernst Riejseger, October Meeting -Bimhuis
Andy Laster, Hydra and Twirler -Sound Aspects
Phil Haynes' 4 Horns and What? , 4 Horn Lore -Open Minds
David Sanborn, Upfront -Electra
Marc Ducret, News From the Front -JMT
Bobby Previte, Music of the Moscow Circus -Gramavision
Klaus Konig, The Song of Songs -Enja
The New York Composers Orchestra, The New York Composers Orchestra -New World/Counter Currents
Guus Janssen, Dancing Series -Geest Gronden
Lindsey Horner Never No More -Open Minds;
Michael Moore Home Game -Ramboy
The Walter Thompson Big Band, Not For Rollo -Ottava
Lesli Dalaba Core Samples -Ear-Rational
Sybille Pomorin and Terry Jenoure, Auguries of Speed -ITM
Frans Vermeerssen, All Ears -Swing Master
The Higher Primates (produced by Gunther Schuller), Environmental Impressions; with Wyte Lyte, New York 5 A.M -Early Riser
Recording review highlights include:
"Herb Robertson has a voracious appetite for the jazz past, with an eye toward the future" The New York Times.
"Simultaneously forward and backward looking vision"...Cadence.
"Robertson can mix it up"..Musician Magazine.
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